POSTMODERN ART AND THE GHANAIAN EXPERIENCE: AN ICONOGRAPHIC ASSAY
qGhana has witnessed massive cultural and technological transformation from its time of colonisation.
qThe turn of 20TH the century showed marked advances in technology.
qThese advances which has established closer synchronism between culture , globalisation and development are so intense that it has affected the social, economic and political structure of society.
qThis global change in the art front also influenced Ghanaian artists (Annku & Adu-Agyem, 2012).
q“an external cultural hegemony”. It is their position that “we [Ghanaians] must not lose sight of the pecking order since the adopter culture must survive at all costs” Annku and Adu-Agyem (2012).
qCalls for “a new philosophical framework” in a quest for the “possibility that individuals can reject certain prevailing cultural attitudes and embrace new myths” (Gablic, 2009).
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